Monday, 31 July 2017
Wednesday, 14 December 2016
Inversion
Not yoga, but inverting black and white in drawing, such that the dark shadows become the brightest whites and the brightest highlight becomes the darkest dark. This was last week’s mind-boggling exercise at the drawing course.
Still life - different tones and textures
Charcoal drawing in progress, starting with a mid-grey, charcoal-rubbed ground, and then using the rubber to add the light and adding back more charcoal to draw the darks. The eyes were playing tricks with the mind and that light bit on the right hand side of the cylinder should be very dark.
Development
This was a fascinating exercise, but I doubt I will have the quietness of mind in the next few weeks to try it at home. Researching the use of tone only after the class, I came across a wonderful etching by Tony Cragg, “Laboratory Still Life No 4”.
As recently as two years ago, I would have skimmed past a work like this, now I can start at it in wonder, and seek it out the next time I visit the Tate. Education is a wonderful thing, particularly when you are old enough to enjoy and appreciate the gift that it is,
Monday, 18 January 2016
Partial new life
Due to changes to the flightpaths into and out of Heathrow, and the increased noise disturbance caused, my family and I are in partial retreat to Oxfordshire. Our new house is a compensation for leaving behind friends of many years. New life beckons for us, and also in the overgrown wilderness, dominated by a yew tree, that is our new garden.
Sunday, 28 June 2015
Obsessed, me?
White thread
White and blue thread
Detail
Thursday, 19 March 2015
White on white
Two striking clothing contrasts at the V and A this week, both with white as the prominent colour.
Burqa from 1850
The tear-down of the wedding dress exhibition.