So much has been written about
these tapestries, I was worried I might be disappointed. Not at all. The sheer scale of these is incredible, and the colour blending is wonderful to see close to. An added bonus is a few of Grayson Perry's pots, that I always find very witty.
This visit included a stimulating discussion with a friend about whether it is important to see the hand of the artist in a final version of a piece of art. This was especially thought-provoking for me, having just been to see the Maggi Hambling "
Scallop" sculpture at Aldeburgh. There, and in these tapestries, the technical input of the makers is equally as important as the eye of the artist.
I really enjoyed seeing the marks of the makers in this sculpture.
Best wishes!Your post is very good! Have a look at my latest painting: Figure oil paintings - Museum quality oil paintings
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