Quilts of lockdown 2

 At the start of all of the lockdowns, I needed mindless stitching. No complex piecing, just pulling scraps from a bag and sewing them together. Mindless meandering quilting, bit of hand applique, Quilt 2 is the result. 70cm x 97cm, not large, probably destined for Project Linus. I also had the perfect piece of fabric for the back, found in a charity shop more years ago than I can remember.

 

Monoprinting from a ceramic tile

Poppy obsession taking over from sweet peas

Inspirational weekend - sculpture and stitching

I have been away to the Contemporary Quilt Group Winter School at Alston Hall.  What a treat.
On the way, I visited the Yorkshire Sculpture Park to see the work of Ai Weiwei , Ursula von Rydingsvard and James Turrell.  Wow, on all counts.  The works by Ai Weiwei are as thought provoking as ever, the scale of Ursula von Rydingsvard's work is astonishing and the Skyspace is a mesmerising experience.  The Yorkshire countryside was at its autumnal best, so the sculptures were seen in glorious light.  This park is on such a scale, it is worth planning a weekend around it.

Iron tree, Ai Weiwei

Ursula von Rydingsvard

Skyspace
Nature provided its own shapes and colours

Blue and orange

Toadstool - thanks to my brother, now identified as a shaggy inkcap.

Toadstool
Then on to meet over 30 textile-obsessed women, all there to learn.  Seventeen of us crammed in to  a rather small room, with voluminous quantities of equipment, to learn about machine trapunto with Philippa Naylor.  Philippa is a generous, encouraging and inspirational teacher, so if you ever get the opportunity to do a workshop with her, grab it immediately.  Her new book , Appliqué Mastery, is full of tips, as well as a full size pattern for her award-winning quilt.
The view from my bedroom was inspiration in itself, changing as the light of the day changed.





The trapunto was a surprisingly straightforward technique, and I managed a whole weekend without breaking a single size 60 needle - Philippa's recommendation.  This needle made a huge difference to the quality and density of the machine quilting I could achieve on my machine.

I have of course come away from  the weekend with another object to finish, so the "unfinished list" has just got longer.

Glimpses…..

….in the spirit of our quilting group's round robin / quilt consequence challenge, I will be showing only glimpses of my contributions to these.

However, that orange caught my colour sensors, as did the corn husks removed from corn cobs and led to this still life.  (Morley starts today, so I'll need to get back to drawing.)

Then more orange, and inspired by the posts on this blog, about studio clearing, organising and unfinished projects, these little cats jumped out of storage, with some bits of yellow, orange and blue and led to some mindless piecing.

Therapeutic for the mind and the hands.

Late summer, orange

Suburban sunset

Seen in Lower Marsh, part of the Yard Sale Project exhibition.

Still stitching the surprise, so only glimpses here

Ledger, loving it, but I'm still on week one

I am absolutely loving this online course, but I am still fixated on the shapes generated during week one. I am applying some of the other techniques we are learning, but by now, I am supposed to she another design source, and a study of lace, with its derivatives. Still, Karen is a generous tutor, and is happy for us to develop our skills as we wish or need, and not to rigidly follow her curriculum. The week's explorations follow.


Overlay page and its inverse. The inverse is a photocopy, as I am using the inverse fabric piece for another ongoing project.


Shibori, indigo dyed polyester acetate, attached using Bondaweb, due to the narrowness of the stems / arms/ branches/ tentacles. FME, with rayon thread, using different patterns of stitching.


This was the page I really didn't like , so I've covered it up with an overlay, but still kept it so it can be seen.


The orange piece is screen printed paper, reinforced with lightweight Vilene, and machine stitched with wool thread. The marking on the magenta page was seeing if I could continue the "quilting" lines on to the overlay.


Top sheet is painted paper backed with very soft Vilene, with embroidered inserts. This overlays an inserted panel of the same paper, ( also reinforced with Vilene) . The background paper is coloured with Inktense blocks, and stamped with lettering from an acrylic blocks set found in a charity shop - some letters missing, so I had to improvise. The paper shapes are the left-overs from cutting the paper stencils for the screen-printing. I like their floppy characteristics, so I stitched them together and included them in the ledger.


Mounted with a piece of paper from an old music book, and lots of ideas spinning in my head from the two stitches added to the music.


Underneath - stitched paper, inserted in to the background paper.

What to do when you don't feel like sewing - pick up a bigger needle

I haven't felt like sewing anything major for a few weeks, but did want to do something with my hands. A couple of my neighbours have started knitting, so when I found 8 hanks of this 100% cashmere yarn in a charity shop for an unbelievable £2.00, I had to buy it.

In the eighties ( yes, I am that age) I used to knit a lot, and loved the challenge of the patterns by Patricia Roberts . As I was a student, there was no way I could afford to buy the finished jumpers. I was then a bench scientist, and my experiments needed me to to a very repetitive task every 4 minutes, for up to 4h, so there was lots of time in between to knit. This was before the days of ipods, Nintendo DS, itouch phones and the like, remember. I also loved patterns by Sasha Kagan and Christian de Falbe.


So when I decided to knit this yarn, I wanted a bit of a challenge. I found it in this pattern from Cheryl Niamath in Knitty. I've never done a thumb shaping, although have knitted in the round. Lovely beechwood needles from Mrs Moon set me off on the right track.


I knitted these on 3.5 mm needles as I have quite small hands, and also lengthened the main section to 24 rows, rather than 18, as I wanted these to extend up my wrists. The thumb was certainly a challenge, but good photos on cheryl's blog show helped me to understand how to do this.

These fit beautifully, so I think I'll be running up some more in the indigo and cream yarn that were part of the original bargain. What next - a Hanne Falkenberg mermaid jacket perhaps?