I seem to be doing a lot of it,
Must be too much “Strictly”!
To stitch, perchance to assess risk in an intelligent manner, and laugh while doing so
…. is better than none. Stitching this week has been piles of calico half-hexagons, therapeutic, but not exactly photogenic.
Sketching was focussed on the2017 journal challenge for the Contemporary Quilt Group. My theme is”microscopic” and my current thoughts are to focus on seeds, algae, bacteria and plankton, all tiny fragments of life that are critical to our survival.
Seeds, after looking at the photographs in “Seeds, Time Capsules of Life"
A very interesting class at Mary Ward this week, with a session on mono printing. We focussed more on making marks through an overlaid paper, rather than mark making on the ink itself.
Initial scribbles - plankton appearing!
More confidence in the line
More dramatic background effects. I’m very interested in this technique and am going to try this on cloth with Markal sticks.
overlaying with acrylic washes.
and on the way home, a protest against ironing
and for inspiration, the beautiful wood-carving of a modern Grinling Gibbons
Like so many quilters, I have piles of hexagons pieced and waiting to incorporate in to a quilt. As this is the start of another year, I have laid mine out again, in a different order that was last seen on here, 6 years ago!
As with all hexagon quilts it needs more hexagons. Just as well I have Game of Thrones seasons 5 and 6 to watch as I really only stitch these in front of the television.
Drawing continues, favourite pincushion, pencil and watercolour crayon
Artist’s model ( with lost foot) , pencil
Is it still drawing if the “drawing” is done with a scalpel? Collage, black paper and metallic pens
Hand-carved spoon by Anna Casserley, charcoal
Learning - charcoal is not the best medium for this scale of drawing
Fabric hexagons ( grandmother’s flower garden blocks), pencil
Learning- a drawing always looks more accurate after you have not looked at it for at least 30 mins. Always have the eraser to hand before starting to draw.
Wax block and needle threader, pencil
Learning - go over the margin/ border of the page if you have to
Pincushion ( a favourite, bought at the Dansel Gallery many years ago)- pencil, watercolour crayon, pen, calligraphy ink
Learning- try more colour and don’t be afraid of ink
The final posting of the 2012 A4 journal quilt challenge is now done, and we have been asked to load a photo of all of our journals in one picture. I'm quite pleased with the results of this year, particularly as I made these only from materials from my collection, or from cloth dyed / printed or otherwise coloured during my course at Morley. I'm happy to see that there are only 2 out of 12 of these where I have used unaltered commercial fabrics: top row, far right and middle row, far right.
Unfortunately the album of everyone's collections is only available for viewing by members of the Contemporary Quilt Group, but they are stunning.
The theme for 2013 is yet to be announced - I can't wait to get started.
Looking at options for the hexagons, this seems feasible, but will need more tweaking of layout to ensure enough contrast between adjacent flowers. Some of the stripes are overly dominant, but aren’t we all sometimes?



